mOvement

Hart Broudy, 2020. In my first blog/entry I said I'd be sharing existing works of visual poets whose texts I'd hijacked and .gif animated between 2017 and now. However, I recently had the pleasure of losing myself in  Dani Spinosa 's OO: Typewriter Poems , (published by Invisible Publishing ) and I fell for her amazing riff on Hart Broudy ... and so this week's post is fresh off the .gif-presses! I was intrigued by the premise of OO: , a project based in creative theft, it engages in an amazing conversation with work of the past, present and here, in this immediate moment, the future (which is oddly now already the present again right?). It is a lovely reminder of the fact that much cultural production is an ongoing conversation that in some ways has no end....how could I resist? If you'd like to view the animation in full-browser size please click   HERE .

Who Decides the Land is Sacred? 2017 As this is my first blog/entry I'll start with a brief intro. I'm an artist working across a broad range of processes, mediums and modes (you can see my work at aureolestudios.com ) who also has a deep love of visual (concrete) poetry . This blog will not feature my own work per se (well, for the most part) but will feature the works of visual poets whose efforts I've been inspired to appropriate/hijack/hack and respond to. Using Adobe Photoshop I re-visualize their texts using basic digital stop-motion movement, the results are infinitely (usually) looping animations.  I've been riffing on what I call a .gif economy for three years now and have a backlog of these works that I will share once a week or so and will intersperse these posts with new animations as they are made along with a few thoughts, ruminations and ramblings (or not) on the process and purpose at hand.   For my first post I've decided to share an &