Posts

Laura Kerr

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An apparition is a dead poem which is believed to appear or  become manifest to the living, typically as a nebulous image . 2020. Unlike the works I've shared so far, this week's beguiling and haunting visual poem by Laura Kerr features an image-based strategy containing no text. Her piece (and the accompanying title/epigram) describes a poem as an ambiguous construct that appears in shape-shifting form. The elusive visual syntax of the image, unstable, surreal and contingent both intrigues and unsettles the reader/viewer. Featuring no entry or exit points it is a challenging and uncanny space in which mystery and alternate universes might abound. Like a hall of mirrors that is simultaneously (and strangely) full and empty, it feels like an empty space waiting for a story to arrive. The framed image of a bedroom within a bedroom (within yet another bedroom > ) is patrolled by a floating dot (masquerading as a period?) that traces its elongated rectangular pa
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Ben Mikuska, eFluent.

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Ben Mikuska. eFluent , 2018. View full-size animation   HERE . This weeks .gif blog-shot features an amazing work by the brilliant and wildly multi-talented Ben Mikuska (artist, bassist, building designer, art preparator extraordinaire etc.).  eFluent  suggests both the auditory and visual potential of language and features a confluence of sound and textual delights in a deep, dark glyph-scape populated by the letter  e .   A solitary e appears that quickly multiplies into a vast swarming field of eeees bubbling upwards in constant eruption, surging backwards and forwards to and from the viewer. A short-story or poem starring the letter e ?  eFluent  succeeds at being simultaneously playful and nightmarish. The soundtrack features music by St. Catharines-based improv noise/sound band TZT featuring: Gary Barwin ,  Gregory Betts , Devon Fornelli ,  Ben Mikuska ,  and myself. 
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Dani Spinosa, OO:

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Hart Broudy, 2020. In my first blog/entry I said I'd be sharing existing works of visual poets whose texts I'd hijacked and .gif animated between 2017 and now. However, I recently had the pleasure of losing myself in  Dani Spinosa 's OO: Typewriter Poems , (published by Invisible Publishing ) and I fell for her amazing riff on Hart Broudy ... and so this week's post is fresh off the .gif-presses! I was intrigued by the premise of OO: , a project based in creative theft, it engages in an amazing conversation with work of the past, present and here, in this immediate moment, the future (which is oddly now already the present again right?). It is a lovely reminder of the fact that much cultural production is an ongoing conversation that in some ways has no end....how could I resist? If you'd like to view the animation in full-browser size please click   HERE .
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Who Decides the Land is Sacred?

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Who Decides the Land is Sacred? 2017 As this is my first blog/entry I'll start with a brief intro. I'm an artist working across a broad range of processes, mediums and modes (you can see my work at aureolestudios.com ) who also has a deep love of visual (concrete) poetry . This blog will not feature my own work per se (well, for the most part) but will feature the works of visual poets whose efforts I've been inspired to appropriate/hijack/hack and respond to. Using Adobe Photoshop I re-visualize their texts using basic digital stop-motion movement, the results are infinitely (usually) looping animations.  I've been riffing on what I call a .gif economy for three years now and have a backlog of these works that I will share once a week or so and will intersperse these posts with new animations as they are made along with a few thoughts, ruminations and ramblings (or not) on the process and purpose at hand.   For my first post I've decided to share an &
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